The last commercial structure on Main Street, Hartman, Colorado. |
Some years back my friend Galen and I went to a "hunters' breakfast" in Hartman, a fundraiser for a local service club or something. Bacon, eggs, pancakes for a reasonable price, in a little place in Prowers County, southeastern-most Colorado, where there are more people in the cemetery than on the street.
If we were in the brick 1930s gymnasium — it fits my memories — then it is crumbling now.
Hartman's population in 1920: 175. In 1930: 269. [Insert Dust Bowl here.] In 2020: 56. That's a story of the High Plains right there.
There was still a tiny, moribund Main Street then. Now it's just this brick building (a former bank?) and a modern modular little post office. I hope that they do not lose that.
Hartman clearly is a "hamlet."
Former Colorado writer Merrill Gilfillan (b. 1945) defined hamlets this way in Magpie Rising: Sketches from the Great Plains, which just happens to be my favorite contemporary "travel" book about the High Plains.
Hamlets are utterly disctinct entities. Detached and austere, they occupy an ecological nice between the town and the isolate self-sufficient ranch. Hamlets have negligible commerce and none of the awkward communal success or desperate self-esteem of larger farm towns, yet they are socially more varied than the extended family ranch clusters within their windbreaks.Hamlets are gratifyingly in-scale and honest. They represent a pure and elemental High Plains culture, as in Petri dish. Hamlets have few visible means of support; no schools; no class plays; no historical museums; little public enterprise save the occasional gas station/grocery combination.
There is more. It's worth a read.
When I first read Magpie Rising, I got the same chills that I did when I found Barry Lopez' Winter Count in the old Chinook Bookshop in Colorado Springs. Just sucked me right in.
I have often thought of taking certain essays from his newer Chokecherry Places: Essays from the High Plains and just writing a couple of my own with his as a template. Steal from the best, I always say.
If you like interviews with authors, here is one with Gilfillan.
Now I have done it — started out with a lonely hamlet, ended up with "the prose of a lifelong poet." That's what happens when you spend a lot of time observing.