If I were a landscape painter (like Dad), I would try to do more
with this than just a photo. Golden banner (Thermopsis
divaricarpa)
against burned pine trees from 2012.
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The 72-year-old was in the Wolgan Valley in New South Wales, painting the aftermath of the devastating Gospers Mountain fire, which burned through 500,000 hectares of bush over the summer.
It's an area he had often visited in a career spanning 40 years.
Warwick Fuller at work in a fire landscape (Australian Broadcasting Corp.) |
Fuller, internationally recognized as an impressionist landscape painter, finds himself drawn to areas recovering from fire.
On his recent painting expedition, green shoots covered the burned trunks of trees throughout the valley, new grass was emerging and the ancient sandstone bluffs, which had inspired him for decades, were a strange mix of colours.
They reflected renewal amidst the destruction caused by a fire which burned for three months.
"Light is what really drives me, it's what makes me want to paint the landscape but on top of that I'm trying to interpret what's deeper than just the physical surrounds, the physical objects in the landscape," Fuller said.He inspires me to do more, although more likely with a camera. I should be more systematic, get out in more weathers, all of it. The year-to-year changes after a fire can be fascinating.
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